First to Eleven – “Santa Baby” Lyrics Meaning

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Written By Joanna Landrum

Joanna holds a BSc in English Literature and uses her expertise in literary analysis to uncover the deeper meaning of her favorite songs.

Ever wondered about the cheeky undertones in “Santa Baby” by First to Eleven? At its core, the song is a playful take on a holiday wishlist. It paints the picture of a sassy protagonist who’s been “good” all year and now has a list of lavish desires for Santa. From a convertible to a yacht and even a platinum mine deed, her demands are sky-high. Through it all, there’s a clear sense of flirty charm, almost as if she’s trying to woo Santa into fulfilling her dreams. It’s less about the gifts and more about the art of persuasion.

Stick with us as we unwrap the layers behind these flirtatious verses.


“Santa Baby” Lyrics Meaning

Starting off with “Santa baby, slip a sable under the tree,” the song jumps straight into the wishlist, highlighting the allure of luxury. A sable, one of the most expensive furs, immediately sets the tone of opulence.

“I’ve been an awful good girl” is a cheeky assertion of her goodness, a lighthearted way of saying, ‘I deserve this.’ The playful insistence continues with her request for a ’54 convertible in light blue. Clearly, she’s got taste!

The lines, “Think of all the fun I’ve missed, Think of all the fellas that I haven’t kissed,” touch on a sense of sacrifice, hinting that maybe, just maybe, she’s been holding back for these rewards.

Then, “Next year I could be just as good, If you’ll check off my Christmas list” is the ultimatum. She’s negotiating, promising future goodness in exchange for this year’s rewards.

The yacht? It’s a symbol of grandeur. But, she cheekily suggests, “really that’s not a lot” – almost challenging Santa. A surprise twist comes with “Santa honey, the one thing that I really need, The deed, To a platinum mine.” Here, the wishes get bolder, emphasizing her audacious charm.

Her faith in Santa, and perhaps a nudge to a lover or partner, is evident in, “I really do believe in you, Let’s see if you believe in me.” This line beautifully melds the fictional world of Santa with real-world desires and validations. Finally, the song winds down with a clever play on words, “forgot to mention one little thing, A ring, But I don’t mean on the phone.” She’s not asking for a call, she wants commitment!

The Story Behind “Santa Baby”

When we peel back the glittering layers of “Santa Baby,” we find a story rooted in the cultural fabric of the 1950s. The original song, made famous by Eartha Kitt in 1953, emerged during a time of post-war prosperity in America. The country was experiencing an economic boom, consumerism was at its peak, and people were indulging in life’s pleasures.

Eartha Kitt, with her sultry voice and bold persona, perfectly encapsulated the mood of the era. And the writers, Joan Javits and Philip Springer, penned the lyrics to capture this zeitgeist. It was a time when the dreams of a car or a luxurious fur weren’t just fantasies but attainable goals for many.

Now, while the materialistic desires outlined in the song might seem straightforward, there’s an undercurrent of satire. Javits and Springer were commenting on society’s growing obsession with material goods. The protagonist isn’t just asking for presents; she’s making bold demands, painting a picture of the ultimate dream life of the times. This tongue-in-cheek approach resonated with listeners then and continues to do so today.

Moreover, Eartha Kitt herself was a symbol of resilience and reinvention. Rising from a troubled childhood to become an international star, she epitomized the dreams and aspirations the song touched upon. When she sang of wanting a ’54 convertible or a platinum mine, it wasn’t just about the objects themselves but the freedom, power, and recognition they symbolized.

First to Eleven’s rendition pays homage to this classic, bringing their own modern flair. While times have changed, the pursuit of dreams and the playful audacity to ask for what one wants remains timeless.

In the end, “Santa Baby” is more than just a Christmas song. It’s a snapshot of a bygone era, a commentary on consumer culture, and a testament to the eternal human desire for more. It reminds us of the joy, aspirations, and cheeky ambitions that the festive season can stir in all of us.