Naethan Apollo – “Person in the Mirror” Lyrics Meaning

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Written By Joanna Landrum

Joanna holds a BSc in English Literature and uses her expertise in literary analysis to uncover the deeper meaning of her favorite songs.

Naethan Apollo’s “Person in the Mirror” is a bold reflection on self-perception, confidence, and the search for identity in the chaotic world of modern relationships. It’s a track about self-love and embracing both strengths and flaws. The song highlights the tension between external validation and internal self-worth, exploring how they intertwine. Naethan presents a vivid image of someone looking at themselves, wrestling with what they see versus how they feel. It’s about recognizing your worth and the challenges in romantic escapades.

Craving a deeper dive? There’s a world beneath these words that’s waiting to be unraveled.


“Person in the Mirror” Lyrics Meaning

From the very first line, “The person in the mirror lookin’ like they wanna f*ck me”, Naethan Apollo sheds light on a powerful sentiment of self-confidence. It’s not just about physical attraction. It’s about the allure of understanding oneself, a love that borders on narcissism. “I ain’t thinkin’ straight. No, wait, yeah, I must be,” encapsulates the internal battle of questioning oneself, a tug of war between overconfidence and self-doubt.

The lines, “I wanna feel handsome, I wanna feel pretty,” underline the universal human desire to be seen and appreciated. The city represents a place of acceptance, where one can freely express themselves, dance without judgment, and truly be alive.

As the song progresses, “I like taking chances, and I like taking pities,” presents a duality in Apollo’s character. It shows someone who isn’t afraid to leap into the unknown but also craves understanding, wanting to find a place of connection in a world that often feels isolating.

“The magic in my hands will leave you feeling dizzy” hints at a mysterious allure. Naethan plays with the theme of intimacy here, exploring how power dynamics can shift in a relationship. Yet, just as quickly, the tables turn with, “Need hands around the neck ’til faces pink like a flamingo,” signaling a push-pull, a raw and intense emotional struggle.

“Maybe I’ll go solo ’cause you don’t speak my lingo” is a defiant proclamation of individuality. Naethan emphasizes the importance of communication, highlighting that without it, even the most passionate relationships can fall apart. His playful mention of being “bilingual” serves as both a cheeky nod to adaptability and the multifaceted nature of human connection.

“Me, myself, and I are like my three favorite amigos” is a powerful reminder that at the core, we are our own biggest allies. We can be our harshest critics, but also our most fervent supporters. The song ends on a high note, encapsulating the thrill of the chase and the intoxicating draw of passion.

The Story Behind “Person in the Mirror”

When a songwriter pens a track as intense and intricate as “Person in the Mirror,” there’s often more to it than just words set to a melody. Understanding Naethan Apollo’s context can offer further clarity on the depth of the lyrics.

By the time “Person in the Mirror” was released, Naethan had been in the industry for a while. He had experienced the highs of success and the lows of scrutiny. The music world, with its glitz and glamour, can often be a place where one’s identity becomes blurred. The constant exposure, feedback, and, occasionally, the pressure to conform to certain standards can be overwhelming.

“Person in the Mirror” can be seen as Naethan’s introspective response to these pressures. It’s a call for authenticity in a landscape often filled with facades. The song reads like a diary entry, an intimate peek into his internal reflections. His reference to feeling “handsome” and “pretty” could be a metaphor for the industry’s obsession with image, the need to fit into molds that may not always feel right.

Moreover, the romantic relationships described in the song could mirror his interactions with the music industry itself. The dance of love, miscommunication, and power dynamics, and the quest for genuine connection — aren’t these the same challenges artists face when trying to stay true to themselves while appeasing the industry’s demands?

It’s possible that during this phase of his life, Naethan felt the weight of these challenges. The song becomes a declaration of independence, a pledge to prioritize self-worth over external validation. The “mirror” then is not just a reflective surface; it’s a symbol of introspection, a place where Naethan confronts his vulnerabilities, strengths, fears, and desires.